#Corona renderer project tutorial how to#
It has a large set of possibilities, and if you know how to use them, you can beat Corona in Speed.
#Corona renderer project tutorial software#
V-Ray is famous and an old software with hundreds of tutorials, material libraries, and 3d models V-Ray render-ready. And most new users can learn using it in just a few days. Corona Renderer is one of the easiest to learn to render an illustration or a 3D model.
However, the downside is that your render time is left at the mercy of your PC’s power and Corona Denoiser. But learning the techniques and rendering a complete photo-realistic image is something that will take you a long time to learn.Ĭorona is user-friendly because you really don’t need to ‘tweak’ lots of settings before you get started. Learning V-Ray tools will not take you much time. If you are starting fresh, then it can take two weeks to 1 month to learn the basics. Generally, it will take around one week to learn V-Ray if you are already familiar with 3D-rendering. But it would be best if you learned the principles of photorealism in the first place. If you are aiming for photorealism, V-Ray is a good choice. It gives the user the option to set their own preferences and determine what the output will look like and how long it will take to render. You can find in it the Corona Materials, which makes you able to assign physical properties to objects such as colors, transparency, or opacity. The interface and the overall logic are similar to the famous Maxell Render. However, it is comfortable and friendly for settings, with few parameters, which allows you to focus on realism, lighting, and materials. In addition, other things as well that you have to discover yourself later.Ĭorona’s interface is a little more complicated compared to V-Ray’s. Besides all these, a File Manager allows you to manage all of your scene files in one place, set file paths, create scene archives, and keep track of assets like textures, IES files, and proxy objects. There is the V-Ray Color Picker, a color manager that allows numeric color value selection in Screen (sRGB) and Rendering (RGB) Color spaces. In the interface, you can find the Frame Buffer that contains a variety of additional rendering tools. It includes several toolbars with easy shortcuts to some of the most commonly used V-Ray features. I also played with some afternoon ones but at the end i decided to stay with the 1934.V-Ray has an interface that is not as complicated as you may think. For this particular scene i used a Peter Guthrie map, the 1934. I tend to keep my whites quite low, around a 165 – 180 value in some cases at this point.įor the HDRI, i created a sky object and i attached a Corona material with an HDR texture in the emission slot. I often after some rough modeling with a white material and a fast check with some HDRIs I have. CoronaforC4D actually has a quite flexible way on dealing with HDRI. I almost always work with HDRIs, because it is the only way i can check easily my light set-up. This scene was actually a vray scene that I worked on some months ago for a commercial project, so I had only to work on some material conversions and some mood concepts to check how Corona would pull it through. I’m already using Corona for some months, and although still on the start, things look promising. I don’t have the patience to make super extra detailed blog posts, so I will try and make this post a bit basic and easy to follow. Thomas is the founder and lead artist of Slahcube, a visualization studio based in Zurich. Today, we bring you a tutorial/making-of article about the sample Corona for C4D scene written by Thomas Vournazos.
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